How to build in a place with such a steep topography, while maintaining the original nature? How to give the residents the daily experience of looking up and seeing the sky through the treetops. These were the questions that guided all design decisions. The initial understanding that architecture should mold to the terrain, and not the other way around, was the starting point. The house rises above the ground and the animal and plant life develops underneath. The program shapes itself by occupying the empty spaces between the trees.

No trees are removed. The topography is not changed. Art and Nature in perfect harmony. From this point on, no choice or design decision was made by taste or will of the architect. Everything is a response and is intended to reinforce a concept. The house, in its white color, is a surprise to those who arrive. Its randomly placed black pillars blend in with the trunks. The house seems to float. Its fluid plan, a result of the program's occupation among the trees, and its openings and folds in the slab, to reach the view of the treetops, generate the volumetry.

The architecture is harmoniously inserted next to the natural vegetation, but maintains its presence. Surprise and novelty are values inherent to art. Casa Açucena presents itself as a white flower in the midst of nature.