AnDo stands on a site in which spatial values vary greatly from one side to the other. This problem of course affects the plans of the project both regarding its urban aspects and its interior organization. From one side the project neighbors a school, and from its mirroring side it opens to an urban landscape. Thus, the Northern façade which faces the school is more closed in nature, possessing the minimum number of openings mostly resulted from cuts in the form. Conversely, the Southern façade has a more porous character due to the vastness of the view before it: the form has tried to respond to the viewer’s need to gaze at the sight.

The project has endeavored to incorporate independent yet complementary elements which engage in an everlasting back-and-forth. Their independence aids both in maintaining porosity and in keeping its ‘villa-like’ essence and nature. It also helps the two units in each level to stand separately. Hence, no two units are identical in their design, yet they are inspired by the same formal language and spatial qualities. The spatial diagrams and the formal sections of AnDo come to exhibit at once a sense of dynamicity and vitality while also promising a pleasant residential experience, a matter which has also found its way in the materiality of the project.

Following the great and long-lived tradition of brick-making in Iran, we attempted a long experimentation with color composition in the project by employing multicolored mud from different sources from the nearby hills. Ultimately, a hatch of bricks was created that enriched form and space, kept ties with the history of the material in the architecture of country, and gifted its guests with the warmth of the life lived in the homeland of earth architecture. It offers a kind of familiarity and strangeness at the same time.