The campus master plan combines the traditional vastu shastra principles of Hindu design—emphasizing geometric patterns, symmetry, and directional alignments—with a contemporary sensibility. Working within the restrictive budget of a non-profit organization, design was not sacrificed; rather, it inspired the design team to find a vocabulary that was simple yet refined. In elevation, white stucco walls and pitched roofs recall traditional Indian typologies; large windows provide abundant natural light in every occupied space; and deep overhangs offer refuge from the hot Texas sun.

Serving as the educational hub of the mission center, the Bala Vihar consists of 12 classrooms plus a central gallery and large covered patio for congregation and social events. Three of the classrooms utilize operable partitions to create larger spaces as needed, while the central gallery plays multiple roles as circulation, display space, and assembly hall. At the temple, the prevalence of symmetry and geometry are reminders of traditional Hindu religious architecture. Beginning in the central meditation hall and moving out toward the perimeter of rough-cut, locally-sourced limestone blocks, a series of concentric circles, squares, and rectangles—including an illuminated pattern in the meditation hall’s dramatically-sloped ceiling—references traditional mandala-inspired architecture.

Above the shrine, the most sacred space in the temple, light from concealed skylights is reflected by a golden wall, creating an aura around three deities arrayed with bright robes and flowers.