Using a combination of physical and digital models to explore nuances of form and materiality, we developed the design in detail in close conversation with Historic England, the National Trust and the local planning authority. The long and low, hipped-roof volume on a sandstone plinth echoes the stately rhythms and red-brick colouring of the main house and its garden orangery, while the unadorned massing and simple detailing also reflect the vernaculars of the courtyard. A glazed, post-and-beam ‘porch’ elevation of untreated oak, sourced from the National Trust’s nearby Brockhampton Estate, connects to a sheltered courtyard newly paved in sandstone.

In a placemaking move, we also reinstated a tall archway in the stable block opposite, opening up a new vista along the estate’s driveway. A modern-traditional approach to craftsmanship sees handmade British clay tiles, including bespoke makings, wrapping the roof and walls of the timber-frame structure in a continuous skin while incorporating a minimal and contemporary sunken gutter into the roof pitch. Picking up a datum and proportions from the Hall’s historic panelled rooms, our coordinated palette of painted wainscotting, exposed timber ceiling beams, fine timber battening and light-reflecting glazed wall tiles extends across the new spaces, which include a series of education areas and tearooms in the main house alongside new accessible WCs.

Our green-based palette is strategically applied to emphasise Hanbury’s green garden views—as well as the tones, textures and rhythms of its historic staterooms and a collection that includes magnificent baroque wall and ceiling murals by Sir James Thornhill as well as important 18th and 19th-century porcelain, furniture and portraiture. The back-of-house catering and storage facilities in the new pavilion mean that Hanbury Hall is now equipped to meet the demands of ever-growing visitor numbers.