The design took place partly in Italy and partly in Brazil, to fully understand the spirituality of the client and the meaning of creating a convent in such a particular context. Living the life of the convent we understood how important it was to organize the spaces around the rules that mark the day, rules made up of individual moments of prayer and moments of sharing, but as the same time how the often-extreme conditions of the subtropical climate, influence the lifestyle. Since the building would not have had mechanical air conditioning systems, it was necessary to offer protection from the sun and shelter from the rain but at the same time leave the air to flow between the buildings.

Planimetrically, we reinterpreted the classical introverted conventual typology multiplying the number of cloisters and thinning out the buildings to allow the wind, which constantly blows from the east, to reach all the buildings and open areas. The convent's morphology is articulated around five green cloisters: at west, facing the access door and the main municipal road, there is the public part of the complex, dedicated to welcoming, with the refectory at south, the church in the middle and the sacristy and reception hall at north.

These buildings, although autonomous and recognizable, are ideally and formally united by a large wooden roof which gives them architectural unity. In front of the chapel, in continuity with the large roof, there is a covered square, a meeting place that offers shelter from the sun during the day and allows the church to accommodate more than 500 seated people. Between the sacristy and the administration buildings to the north east stands the library, a translucent polycarbonate’s volume suspended on four cumaru’s wood pillars that at night becomes a luminous lantern that allows its contents to be perceived.

To the south-east is the building that houses the cells of the monks and nuns, the only 3-floor building consisting of a precast concrete structure, a very widespread and reliable technology in Salvador. It's surrounded by a wooden exoskeleton that houses the distribution gallery and systems of wooden brise-soleil necessary to avoid overheating of the walls and to guarantee shelter from rainwater. The roofs of all buildings are always raised and detached from the building envelope to allow hot air to escape, while cross ventilation is always guaranteed in the cells and other closed areas through adjustable brise soleil systems above doors and windows.

The artisanal component, resulting from the use of local manpower and traditional techniques for the cooling of the rooms, gives the project a strong architectural identity. The use of photovoltaic panels to produce electricity, hot water and the recovery of rainwater, make the convent complex almost completely energy self-sufficient.