On the upper level, there is a daytime pavilion with a metal roof structure that persists all the way through in visual continuity, with long views through a sequence of spaces. Concrete supporting walls and glass enclosures are the other two vertical elements, blurring the idea of interior and exterior. Rooms below are burrow-like, with nested openings in between them. As for the floor plan scheme, the structure above combs space in a single direction — transversal to movement — while penetrations below fragment the volume, bringing light deep inside the built mass.

It is a formless project in the sense that it is impossible to obtain any volumetric understanding as a spectator. This effect is due to the camouflage of the permeable skin with the concrete, and the perceptual dynamic of the light. The permeable skin follows the same rhythm in the pattern of vertical lines as the concrete surfaces. It is not only about the absence of frames — supporting elements are secondary, intentionally hidden, and as thin as possible. The house is an inhabitable porous enclosure made by the superimposition of multiple layers with different density and permeability; and therefore, different degrees of interiority.

For this project estudio__entresitio were the architects as well as the general contractor; therefore, not only the art or process of building was in our hands, but also the act of physical construction. estudio__entresitio: Maria Hurtado de Mendoza, Cesar Jimenez de Tejada, Jose Maria Hurtado de Mendoza, Alvar Ruiz