The interior design creates a journey between the form and formless. The architecture exterior is a simple rectangular box built with pitched roof and local yellow stones which merge itself into the mountain seamlessly. The three glass boxes insert three olive trees into the interiors and bring the outside formless nature to the inside formed interior. The interior production line is divided into three sections: lab, production and packaging. The exhibition hall is placed in parallel with the production facilities.

Stepping into the corridor, one is welcomed by a olive tree in a glass box that filled with sunshine. The windows on the left framed with recycled old wood to bring the stunning scenery inside; on the right behind the glass partition the entire production process unfolds. The carefully curated circulation leads guests to experience the moving natural lights and shadows, at the same time guests could observe the olive oil extraction process honed over the past few decades. The wall that stands from east to west is made of recycled wood reclaimed from the local Naxi Ethnic Minority’s village.

The olive oil tree leaves are printed on the raw concrete floor to guide visitors as signage. The square lighting boxes echo with the boxy windows on the facade. The three olive trees in the glass boxes are the soul of the space, the extended formless flooring in green biomorphic epoxy resin runs like the fluid olive oil to the formed production space. As seasons go and weather changes, guests will see different colors and forms, once again to connect the formless nature with people in the formed space.

Among the boxes is the tasting table, the olive products’ showcase in the wall made by the local square bricks. The tree leaves whisper in between sun rises and sun sets, lights play with shadows on the concrete floor, motion vs stillness, organic overlaps the inorganic, form intertwines the formless, the interior blurs the exterior, and the boundary is disappearing. As the journey comes to the end, local ancient language DongBa‘s characters are floating on the custom made glass, telling the long history of local NaXi Ethnic Minority.

The DongBa paper-made lantern is hung above the tasting table where one swirls and slurps the fresh extracted olive oil underneath, as if to remind people about the historic past. Human and nature, body and soul, form and formless, blurred and merged.