Circulation spaces, public and private, are located on the façades surrounding the programs to which they give access. Where classical theaters distinguish the stage tower as the central element of the building's composition, the characteristic crenellated profile of the project expresses the multiplicity of activities taking place in the new theater. The lobby space, generous and transparent, creates links between the inside and the outside, and expresses the theater's opening to the city. The crossing foyer gives access to the two halls, and creates another link between the two public spaces that surround the building.

The architecture, discreet and neutral during the day, expresses the character of a place of creation and production. In the evening, a light staging transforms the building in a performance place, affirming its presence in the city, and inviting the public to the magic of the show. The building accommodates two complementary halls. Each of them develops it's own identity, both from an architectural and scenography point of view. The greater hall is conceived in the continuity of the European theater, Italian style, with a pre-established front stage-hall relationship.

The envelope is made of folded and faceted skin, like an origami, which acccommodates all the acoustic and lights devices specific to a theater hall. The modular black-box type hall is dedicated to experimentation. An elementary and neutral volume, with a modular bleacher system, allow multiple configurations to be set up. The walls are covered with fiber-reinforced concrete slats, the patterns of which guarantees excellent acoustics. The two halls are highly technical spaces from a scenography point of view.

The objective was to integrate all the technical requirements into the architectural expression while creating a poetic space capable of welcoming the spectator by creating a break between everyday life and the magic of the show.