The room itself is a great highlight. In the glass boxes, there are office spaces and conference rooms. On their upper surface, you find a neutral, multi-purpose event area which can be used as an open-plan office, for instance. From there, bridges go through listed walls and lead to service rooms that are available to everyone who works in the two main halls. The minimalistic and elegant design reappears in different other areas of the building: For example, the entire surface of the entrance portals leading to the lift and to the offices are made of brass, while intarsias were installed on a terrazzo as floor designation.

In addition, highly polished brass was fitted to the bottom view of the balconies facing the inner courtyard, so that the plants on the ground are being reflected. Both, the design concept and the lighting concept, follow the principle of drawing attention to the historical substance as precisely as possible. In doing so, the basic motif of blurring boundaries always prevails. Credits: - Lighting design - Christian Ploderer