The design was developed through hand sketches, physical models and digital technology. The aim was to achieve an interplay of contradictions: stillness and movement, simplicity and complexity, intimacy and monumentality; a solid structure capable of dissolving in light. An investigation into material qualities that embody light resulted in the development of two cladding materials: translucent marble from the Portuguese Estremoz quarries for the interior layer, and cast-glass panels for the exterior.
A remarkable 1129 unique pieces of both flat and curved cast-glass pieces were developed, produced and assembled to create each of the nine identical, gracefully torqued wings. The super structure is comprised of hundreds of individually engineered steel members and nodal connections. Between dawn and dusk the Temple becomes infused with the wide range of seasonal colours that dance across Santiago’s sky. At night, the materials allow for an inversion of light, whereby the Temple, lit from within, casts a soft glow against the Andean mountains.
Each of the Bahá’í Temples serve as centres of worship as well as expressions of technological and architectural excellence. The Temple is more than just a story of complex design, innovation, and construction; it is the embodiment of a community’s aspirations to create a place for contemplation, mediation, and prayer for future generations. Credits: - Hariri Pontarini Architects - Partner-in-CHarge - Siamak Hariri - Hariri Pontarini Architects - Project Manager - Doron Meinhard - Hariri Pontarini Architects - Project Architect - Justin Huang Ford