The designer attempted to start with the existing large-scale building components in the space to develop the “layer” which indicates the extension of space so as to demarcate the internal logical reasoning of physics of the space. In this process, the designer applied the grid of “layer” and the special lights matched with it to make the mutual superposition of linear light and shadow express the characteristics such as line, layer, monochrome and change of ink painting. This not only makes the space of ink painting’s language form transformed, but also activates the exiting spiritual attribute of the space.